Leipzig-S
analogue monosynth with analogue sequencer
KEY FEATURES OF LEIPZIG-SK
- Pure analogue
voice and modulation
circuitry.
Fat Moog style transistor ladder filter.
2 VCOs with Glide and Sub-VCOs.
Osc Sync & Cross-Mod
Plenty of modulation routing
possibilities.
We are a big fan of electronic
percussion here, so Leipzig-S modulation choices provide for good drum
possibilities
Analogue step sequencer – with plenty
of clocking options.
Audio input so can be used as a sound
processor.
Rugged steel/aluminium construction.
MIDI In for software sequencer
control.
This synth has NO
memories! -
Advantages;
- None of the parameters or controls are
quantised. So when you turn a knob, you are turning a resistor that affects
a real analogue circuits.
- Because each parameter is not under
solid CPU control, each parameter has that tiny analogue drift that adds so
much to character.
- You are forces to be creative. No
reliance on presets! Each time you make a sound you are being original.
- Quick, easy and simple to use! WYSIWYG
- no nasty menus and sub-menus to change the sound.
Differences between Leipzig-S/SK and the
original Leipzig;
-
Envelopes are now full ADSR
-
EGs can be disconnected from MIDI trigger
-
VCO2 can be disconnected from MIDI (free
running modulator!)
-
Analogue step sequencer
-
VCF can be modulated from either
EG1 or EG2
VINCE CLARKE with his Leipzig-S
MARTIN GORE with his Leipzig-S
i n f o AT analogue solutions d o t com
Concussor Modular Synthesizer
/ Analogue Solutions
e&oe (c) 11/2012
Manual